Immersion Magic Leap Motion Capture 
Next Reality AR
OCTOBER 2, 2018
We already know that Magic Leap is working with Hollywood motion capture legend Andy Serkis on a new immersive content experience but, so far, all we've heard are descriptions of the work. Don't Miss: Stage Your Own Big Bang with Magic Leap One via the Universe Creator App "What happens to wonderfully crafted.
ARPost
JUNE 3, 2022
AWE day two started off with back-to-back keynotes from mixed reality display maker Magic Leap and AR commerce solution Avataar. A Look at the Magic Leap 2. Magic Leap’s Head of Product Management, Jade Meskill, presented “Magic Leap 2 and the Augmented Enterprise.”
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AR Insider
FEBRUARY 15, 2021
In 2018, we put Arden’s Wake at the top of our Tribeca Immersive “Awesome List,” and have previously called director (and company CEO) Eugene Chung “the D.W. Arvizio brings AR to Zoom meetings with Immerse 3D app. Immerse 3D is available for smartphones, HoloLens, and Magic Leap. Arden’s Wake hits the Oculus Store.
The Ghost Howls
OCTOBER 31, 2018
He has joined Rony Abovitz at Magic Leap and now he’s there, trying to build the MagicVerse as the SVP of Creative Strategy of the Florida company. Douglas was not only focused on movies but on immersive media, in creating the future of cinema and he invented a lot in this sense (like the Imax format).
EON Reality
JULY 17, 2024
It supports a range of AR platforms such as ARKit (iOS), ARCore (Android), Microsoft HoloLens, and Magic Leap. Cross-Platform Support : Develop for multiple platforms including ARKit, ARCore, HoloLens, and Magic Leap. Motion Capture : Captures and interprets human body movement.
The Ghost Howls
MARCH 26, 2018
Magic Leap releases its SDK. We still haven’t seen a Magic Leap device , but at least now we can see its SDK. The Florida company has released during the GDC the Lumin SDK, that is the development kit that has to be used to develop for LuminOS, the custom operating system of the Magic Leap device.
Upload VR
OCTOBER 11, 2022
In film, you feel comfortably immersed in the story looking at something like the cute Baymax robot but constantly distracted looking at more human-like faces in heavily motion captured works like the 2004 film The Polar Express. That’s kind of like an existential requirement of this technology.”.
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